Season Auditions

The Scoundrel and Scamp Theater participates in Tucson Community Auditions along with many other Tucson performing arts companies. Auditions for our next season will be held on May 16 and 17, 2025. You are encouraged to sign up for our newsletter to receive casting notices along with other opportunities at the S&S Theatre.

Questions? Email casting@scoundrelandscamp.org.

S&S Opportunities in Season Nine

Please read through our available roles and events so you can indicate your interest when you sign up for auditions.

Rehearsals are generally held Tuesday-Thursday evenings, with daytime rehearsals on Saturdays and Sundays. All rehearsals will be held in person at the S&S Theatre.

Click here to read more about Season Nine or scroll down to read about the available roles

The Plays & Roles

  • Where Words Once Were

    BY FINEGAN KRUKEMEYER
    THE FALL MAINSTAGE EVENT
    RUNS SEP 26 - OCT 12, 2025

    In a dystopian world where language is rationed to only 1,000 allowed words, Alli and her son Orhan live a normal life; going to school, owning and operating a bakery. Life is good until the words “I think I see a city that rues words” are plastered on a wall over the bakery and a pen goes missing from the local school. Then The City begins a man-hunt for the perpetrator. During this time our hero, Orhan, discovers that even a single word can change the world.

    3 men, 2 women, diverse casting

    ORHAN
    GIRL (Angela)
    ALLI/EILA
    ISAAC/KIERAN
    TEACHER/PAPA (Gus)

  • Theatre de Cuisine

    BY WOLFE BOWART
    THE SPRING MAINSTAGE EVENT
    RUNS MAR 26 - APR 12, 2026

    Join the Scoundrel and Scamp and Wolfe Bowart for an evening of fine dining and the fantastical as a circus-inspired theatrical experience will unfold around you. Elegantly presented dishes by a local chef are paired with humorous, poetic and adventurous short theatrical numbers. A theatrical culinary experience like no other! So unhook your corsets, let loose the reigns on your appetites and relax into the comforting arms of Theatre de Cuisine!

    Looking for 4-5 artists, diverse casting, circus skills and musical abilities a plus!

  • Seance!

    BY WOLFE BOWART
    RUNS OCT 17-25, 2025

    Around the table, something keeps going bump in the night! ‘What’s behind that door?’ A quirky Charles Addams cartoon come to life! Aunt Edith has passed on but we still need her chicken salad recipe, it may be best if we leave the kids at home for this journey through what comes after this life.

    3-5 cast members with ‘extra-ordinary’ (or not so) abilities.

  • Kayak

    BY JORDAN HALL
    OCT 26, 2025

    Alone on a vast stretch of water, Annie Iversen recounts the strange chain of events that left her stranded in her son’s old kayak. A doting suburban mother, Annie is blindsided when her son, Peter, falls in love with Julie, a passionate environmental activist. Unable to reconcile herself to Julie’s radical worldview, Annie struggles desperately to keep Peter from falling further into the young woman’s dangerous world. Climate change, S’mores, SUVs, and Noah’s Ark are all onstage as Annie sets out to save her son, and unwittingly throws herself into the path of events larger than she ever could have imagined.

    Annie Iverson- 40-60 female
    Peter Iverson- 20-30 male
    Julie- 20-30 female

  • Regretfully, So The Birds Are

    BY JULIA IZUMI
    JAN 18, 2026

    Arson. Affairs. Incest. Murder... are only the beginning of problems for the Whistler siblings. Mora’s gotta find her birth mother, Neel’s gotta find himself, and Illy’s gotta keep her piece of the sky... but the birds have other plans. Julia Izumi’s Regretfully, So the Birds Are is a madcap comedy that gleefully flips the human quest for self-discovery on its head.

    Illy- 20-30 female, AAPI
    Neel- 20-30 male, AAPI
    Mora- 20-30, female, AAPI
    Elinore/Bird- 40-60, woman, White
    Cam the Snowman/Cowman- 40-60, male, White
    Srey- 40-90, woman, AAPI

  • The Apiary

    BY KATE DOUGLAS
    APR 26, 2026

    It’s twenty-two years in the future, and honeybees are nearly extinct except for those kept alive inside of labs. Zora is overqualified for her new job at one of these labs, but she’s there because she loves bees—or what is left of them. Her stressed supervisor, Gwen, has learned to keep her head and budget down so her research doesn’t get discontinued. Zora, however, doesn’t mind spending her own time and money to try to rehabilitate the bee population. When an unfortunate incident leads to a boost in the bees’ numbers, Zora and her coworker Pilar have to decide just how far they’re willing to go to keep the population growing. An unsettling and sharp-witted cautionary tale, The Apiary warns that the key to protecting each other and the planet is right in front of us, if only we would listen.

    CeCe/Kara/Anna/Brynn- 20-60 female
    Zora- 30-50 female
    Pilar- 20-40 female
    Gwen- 30-60 female

  • Our Spooky Fall Show

    RUNS SEP 5 & 6, 2025

    A double feature starting with the comedy show made famous by Lucille Ball, My Favorite Husband: Halloween Surprise Party. Liz and George Cooper are quite perturbed that their closest friends and neighbors haven't invited them to their annual Halloween party. Liz decides there is only one possible solution. And then…on a snowy December night, three women unwittingly awaken an evil spirit in the eerie Lights Out: Poltergeist.  

    3 women, 2 men, and two gender neutral actors, diverse casting

  • Our Valentine's Show

    RUNS FEB 13 & 14, 2026

    Two shows in one! In Our Miss Brooks: Valentine's Day Date we return to Madison High School where we find Miss Brooks, who is trying to get Mr. Boynton to take her out to dinner…even if she has to pay for it herself. And in Lights Out: The Ugliest Man in the World we have a beautifully tragic drama featuring Paul, a man deemed to be the ugliest man in the world, and who has been exploited all his life. Paul’s only hope is to find a place where he can belong, a place of love.

    2 women, 2 men and 3 gender neutral actors, diverse casting

HOW TO AUDITION